You can record internally in 10-bit codecs - or opt to record onto an external recorder in 16-bit RAW. Autofocus is really impressive too, allowing it to cope with action subjects - which is complemented by you being able to shoot slow-motion sequences at 240fps in Full HD.

This means that we found it delivered stunning 4K image quality - and particularly when shooting at high ISOs.

The basic spec of the FX6 is the same as on the Sony A7S III mirrorless camera. This makes it the perfect choice for cinematography - whilst giving you the handling characteristics of a camcorder. These combine to allow you to control depth of field in a way that is not possible with smaller-sensored camcorders - whilst giving you the scope to fit whatever Sony E-mount lens you like. The Sony ILME-FX6 give a real step-up in production values - as it offers a huge full-frame sensor, and interchangeable lenses. It features a large 3.5-inch color touchscreen and has two XLR professional microphone inputs for professional audio options and dual SD card slots. Weighing in at 1.5kg it isn’t a casual option, but it is much lighter than its predecessor the HC-X1000 and you can remove the handle with its built-in LED light and mic holder, if you need to travel light. Switch down to Full HD, and the Super Slow setting allows you to capture at 120fps. It is also has better slow-motion credentials than most, offering 4K at 60P. That's enough to get you in close to the action in field sports, without need to resort the digital zoom option. Its mid-sized sensor means it packs a monster 24x zoom - offering a range equivalent to a 25-600mm full-frame focal length range. But we like this Panasonic X2000 in particular for its balance of features for those wanting to shoot action. Nonetheless, the XA75 excels in critical areas such as autofocus tracking, power zoom, dual XLR mic inputs, and uninterrupted continuous recording, catering precisely to the needs of the serious moviemaker.Ĭamcorders are a great option for shooting sport (or wildlife) as they have big supertelephoto lenses built in to a remarkably compact camera. Comparable camcorders like the Panasonic HC-X2000E offer 4K 50p/60p at a higher bitrate, while the Canon EOS R6 Mark II mirrorless camera provides 6K 60p ProRes RAW via HDMI. For this reason, we think this is a better option for serious filmmakers, who take their time setting up shots, than it is for content creatorsĪt this price range, the maximum UHD 4K30p video recording capability seems underwhelming. In situations where swift content sharing is essential – common when using a camcorder on the move – relying solely on SD cards or USB-C transfers becomes a limitation. However, despite being Canon's top-tier professional camcorder, the absence of a Wi-Fi module feels constraining. Its low-light performance also pleasantly surprised me, rivaling that of my Canon EOS R6.

Having filmed multiple weddings using various top-tier hybrid cameras, I found the XA75's form factor notably more user-friendly compared to a DSLR. Its compact size makes it an ideal companion for covering live events such as conferences and weddings, where remaining inconspicuous is paramount. The Canon XA75 presents a unique balance – powerful enough for serious filmmaking yet discreet. This is a eight-year-old model (first launched in 2016) - and given so many of its budget rivals have been discontinued and not replaced - we are glad that it is still available new in 2024.

The downside is that the small sensor does mean that video quality is fair rather than stunning. What's more, because it is rear-mounted, it can be upgraded from the supplied 1940mAh pack to one with double the capacity. We also like that this comes with a bigger battery than the Sony - so you can shoot for longer on days out without the need for recharging. For starters, it has a bigger and brighter 50x optical zoom - this longer image-stabilized lens can prove useful when trying to get close-ups of distant wildlife on your travels. But although less popular, the Panasonic has some notable advantages over the Sony. The Panasonic V180 is a straight-up competitor to the Sony CX405 - with a similar size and shape, and using the same-sized sensor.

Video recorder camera for car